七七影视

猜你喜欢

女儿的女儿
2024 0.0分 剧情片
耳顺之年活得悠然自得的金艾霞(张艾嘉 饰),突被通知在纽约做人工生殖的小女儿(刘奕儿 饰)车祸身亡。在处理后事、对成功胚胎的去留做出抉择的同时,她将面对当年出生即被送养的大女儿Emma(林嘉欣 饰)。做决定的时刻;她,抑或她们,会如何选择?
HD
第六个嫌疑人2025
2025 0.0分 剧情片
该片讲述了刑警队队长董国强和方言等不畏艰辛、排除重重阻碍,终于破获了诡异的“坟地藏尸案”,新入警的刑警方言也在案件的侦破中得到了成长,完成了以父亲方志勇为代表的老一辈刑警夙愿的故事。
HD
不是冤家不聚头国语
1987 0.0分 剧情片
海员余大地带着女儿,被逼与黄梅同屋,一人均脾气古怪,但却渐萌爱意,惜余不忘航海生涯,把女儿交托黄梅,还暗示爱意。不料,当黄梅接到大地回港之信,又传来货轮沉没,误会他已葬身海中……
HD
不是冤家不聚头粤语
1987 0.0分 剧情片
海员余大地带着女儿,被逼与黄梅同屋,一人均脾气古怪,但却渐萌爱意,惜余不忘航海生涯,把女儿交托黄梅,还暗示爱意。不料,当黄梅接到大地回港之信,又传来货轮沉没,误会他已葬身海中……
HD
不脱袜的人国语
1989 0.0分 剧情片
20世纪60年代末,左翼暴动席卷香港,局势动荡。   从乡下来到大都市小玉(张曼玉 饰)是一个苦不见出头的小演员,为了金钱为了上位,真可谓不惜一切代价。在某导演的帮助下,小玉搬入一栋新公寓,偶然机会认识了住在天台的阿恭(钟镇涛 饰)。穷困潦倒的阿恭白天是一名白牌出租车司机,晚上则成为阔太太的性伴侣。两个畸零人从最初的轻视和憎恨,最终走到了一起。他们努力赚钱,经营生活,但动乱的局势仍将他们微小的幸..
HD
不脱袜的人粤语
1989 0.0分 剧情片
20世纪60年代末,左翼暴动席卷香港,局势动荡。   从乡下来到大都市小玉(张曼玉 饰)是一个苦不见出头的小演员,为了金钱为了上位,真可谓不惜一切代价。在某导演的帮助下,小玉搬入一栋新公寓,偶然机会认识了住在天台的阿恭(钟镇涛 饰)。穷困潦倒的阿恭白天是一名白牌出租车司机,晚上则成为阔太太的性伴侣。两个畸零人从最初的轻视和憎恨,最终走到了一起。他们努力赚钱,经营生活,但动乱的局势仍将他们微小的幸..
HD

《拉莉萨》剧情介绍

影视大全提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin  Rasputin  Stefaniya  Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2024-04-11 04:32更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://yuliansteel.com/movie/index32291.html

《拉莉萨》简介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.

加载中...